{"id":75,"date":"2006-11-19T02:12:49","date_gmt":"2006-11-19T02:12:49","guid":{"rendered":"http:\/\/gucao.net\/blog\/info\/"},"modified":"2025-11-10T00:21:16","modified_gmt":"2025-11-09T16:21:16","slug":"info","status":"publish","type":"page","link":"http:\/\/gucao.net\/blog\/info\/","title":{"rendered":"\u95dc\u65bc\u6211"},"content":{"rendered":"

\"\"<\/p>\n

\u9673\u5fd7\u83ef<\/strong>
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\n\u66fe\u4efb\u300a\u5b57\u82b1<\/a>\u300b\u96dc\u8a8c\u7de8\u8f2f\u3002<\/p>\n

Ernest Chan<\/strong>
\nFreelance writer, editor, film critic,
\nmember of the Hong Kong Film Critics Society<\/a>,
\nauthor of The Elephant that Vanished<\/i><\/a>,
\neditor of Hong Kong Cinema 2012<\/a><\/em> and Hong Kong Cinema 2018<\/a><\/em>,
\ncurator of !magine Fest<\/a> and Food for Thought – A Cinematic Feast<\/a>.<\/p>\n

\n","protected":false},"excerpt":{"rendered":"

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